Racine Art Museum

Patrick Nagatani (1945 – 2017) was an artist committed to investigating the possibilities of photographic technology. Employing hand-coloring, multiple printings, and constructed scenarios, Nagatani built his photographic narratives through props, careful direction, and image manipulation. In addition to challenging the “truth” associated with photography, he touched on social, cultural, and personal issues, including nuclear power, myth-making, Chromatherapy, Japanese Americans, and the self. A former faculty member at the University of New Mexico in Albuquerque, Nagatani obtained his MFA from the…

In the late 1940s, contemporary glass production was given new energy as Frances (1912 – 2004) and Michael (1908 – 1999) Higgins reinvigorated the ancient practice of glass fusing. Capitalizing on the post-World War II interest in bright colors and abstract patterns, the Higginses produced mostly functional items sold through major retailers and worked with glass companies until they formally established their private studio in Illinois. Frances and Michael’s partnership—both personal and professional—seemed to fuel their creative energy, and they…

In the late 1940s, contemporary glass production was given new energy as Frances (1912 – 2004) and Michael (1908 – 1999) Higgins reinvigorated the ancient practice of glass fusing. Capitalizing on the post-World War II interest in bright colors and abstract patterns, the Higginses produced mostly functional items sold through major retailers and worked with glass companies until they formally established their private studio in Illinois. Frances and Michael’s partnership—both personal and professional—seemed to fuel their creative energy, and they…

Patrick Nagatani (1945 – 2017) was an artist committed to investigating the possibilities of photographic technology. Employing hand-coloring, multiple printings, and constructed scenarios, Nagatani built his photographic narratives through props, careful direction, and image manipulation. In addition to challenging the “truth” associated with photography, he touched on social, cultural, and personal issues, including nuclear power, myth-making, Chromatherapy, Japanese Americans, and the self. A former faculty member at the University of New Mexico in Albuquerque, Nagatani obtained his MFA from the…

In the late 1940s, contemporary glass production was given new energy as Frances (1912 – 2004) and Michael (1908 – 1999) Higgins reinvigorated the ancient practice of glass fusing. Capitalizing on the post-World War II interest in bright colors and abstract patterns, the Higginses produced mostly functional items sold through major retailers and worked with glass companies until they formally established their private studio in Illinois. Frances and Michael’s partnership—both personal and professional—seemed to fuel their creative energy, and they…

Patrick Nagatani (1945 – 2017) was an artist committed to investigating the possibilities of photographic technology. Employing hand-coloring, multiple printings, and constructed scenarios, Nagatani built his photographic narratives through props, careful direction, and image manipulation. In addition to challenging the “truth” associated with photography, he touched on social, cultural, and personal issues, including nuclear power, myth-making, Chromatherapy, Japanese Americans, and the self. A former faculty member at the University of New Mexico in Albuquerque, Nagatani obtained his MFA from the…

In the late 1940s, contemporary glass production was given new energy as Frances (1912 – 2004) and Michael (1908 – 1999) Higgins reinvigorated the ancient practice of glass fusing. Capitalizing on the post-World War II interest in bright colors and abstract patterns, the Higginses produced mostly functional items sold through major retailers and worked with glass companies until they formally established their private studio in Illinois. Frances and Michael’s partnership—both personal and professional—seemed to fuel their creative energy, and they…